NIPPON Kichi - 日本吉

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2008/2/15


川崎和男 Kawasaki Kazuo Kawasaki Kazuo

Jp En

Kazuo Kawasaki was born in 1949, Fukui Prefecture. He is a design director and doctor of medical science. After graduating from Kanazawa College of Arts, he started working at Toshiba where he worked on developing and branding Audio Aurex, a revolutionary new audio system at that time. In 1979, he went freelance and two years later he moved his business base to his home town, Fukui. Since then, he has worked on a wide range of product designs including knives, LCD TVs, eyeglasses and artificial hearts. He has made significant advances in all of these fields.
He was the jury chair for the Japan Good Design Award from 2001 to 2003. He is currently a professor at Communication Design Center and Frontier Research Center at Graduate School of Engineering Osaka University. He is also a professor of Medical Center for Translational Research at Osaka University Hospital.
   Mr. Kazuo believes that the designer is a professional that imbues idealism into a physical object. He incorporates many varied fields including mathematics, science, technology and art and builds reality hardheadedly and precisely.
Design is a dream. Here is at least one design director in Japan who earnestly believes that the power of design can change the world.
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2007/12/25


「タケフナイフビレッジ」キッチンナイフArtus Takefunaifubirejji Kicchin-naifu-Arutasu ARTUS Kitchen Knife by Takefu Knife Village

Jp En

Takefu Knife Village is a brand created in 1982 by local curter artisans in Takefu, the biggest cutlery producing district that proudly maintains over seven hundred years of history.
  In 1983 with the collaboration of Kazuo Kawasaki, a design director who was born and raised locally, Takefu launched its new series of kitchen knives, ARTUS.
While using the traditional method to create the blade part and by utilizing a unique design to unify from the tip of the blade to the handle, it achieved a simple yet innovative, hygienic and highly aesthetic product.  
ATRUS is made by “fire casting”, a traditional craftsman’s striking technique, which uses a three-layer structure with steel forged by hand that is inserted between stainless steel. It is this technique that enables the knife to be sharp and resistant to rust.    
ATRUS was born from a great trinity: the seven policies based on the Takefu’s commitment to create wonderful hand-made products; its traditional cutlery making method; and outstanding  design by Kazuo Kawasaki. Its excellence is evident as even more than 20 years after its initial introduction it is still sold without any modifications.
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人工心臓 Jinkou-shinzou Artificial Heart

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“If I have to accept an artificial heart into my body, I would like it to be painless and look cool”, said the designer, Kazuo Kawasaki, who sought functional progress and an aesthetic sense for an artificial heart even it resides inside the body and is invisible from the outside.  
It was the technology of the stereolithography system that made his vision become real. Stereolithography allows for the creation of three-dimensional (3-D) objects, in this case using resin, from CAD data.  Even complicated shapes like those that can be seen in Trompe-l'œil, or trick art, can be turned accurately into a real object.
Fusion is one of key words to describe the tendency of recent high-end technology developments. By fusing ideas and technologies from different fields, it becomes possible to break though the walls of limitation. Artificial hearts are seen as a new technology, an alternative to heart transplants, and their development is being advanced from areas beyond the medical field in a way that has not seen before. It is an exciting development that attracts lots of anticipation for the future.      

■Design Director / M.D.
Kazuo Kawasaki
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増永眼鏡 Kazuo Kawasaki Ph.Dのアイウェア Masunaga-megane Kazuo Kawasaki Ph.D-no-Aiuea Masunaga Eyeglass by Kazuo Kawasaki Ph.D

Jp En

Masunaga Optical Mfg Co., Ltd is the oldest eyeglass maker in Japan and located in Fukui City, Fukui Prefecture, one of the three biggest eyeglass frame producing districts in the world.
Masunaga Eyeglass was designed by Kazuo Kawasaki who was born and raised locally. The eyewear was awarded Silmo d’Or at the Silmo Eyeglass trade show held at Paris in 2000.
Without using screws and by applying lightweight and flexible beta titanium in its frame, Masunaga eyeglass has achieved a high level of comfort for the wearer. By attaching the lenses to the frames at only one point, it is designed so that the vision is not distorted when the arms are flexed at the temple points. The lenses and the pupils are always equidistant.
Masunaga eyeglass, born from a concept of “smart and high technology”, achieved functionality and nobleness realized by the combination of  the Kazuo Kawasaki’s industrial design and Matsunaga’s superb techniques.
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CARNA Kaana Carna Folding WheelChair

Jp En

Carna was named after the Roman goddess who had power over entrances and exits and was considered a guardian angel of daily life.
Carna folding wheelchair, which was completed after eights years of prototyping, has a jaunty and stylish design giving it a feeling more like the newest pair of sneakers. With light weight titanium being utilized for the frame, the Carna can be folded down into a compact size. It is designed to be finely adjustable to fit different needs and body sizes. Above all, a user will be comfortable using the chair for extended periods of time. It can be said that this wheelchair becomes the legs of the user.
Carna folding wheelchair is the permanent collection of Museum of Modern Art (MoMA).
The Carna will become like a trusted guardian and it plays an important role to support the user’s everyday life, just as the word means.    
■Carna
・H86 x W61 x D90 cm
・9.5kg (seat 3kg)
■Design Director
Kazuo Kawasaki
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EIZO FORIS.HD Eizou Forisu.eichidi EIZO FORIS. HD

Jp En

EIZO LCD TV, which has become popular with its simple yet finely refined design and high quality, launched their new line of color LCD HDTV, under the brand name of FORIS.
FORIS HD can be used as both a television and computer monitor. It has a high resolution of more than 720 lines with an aspect ratio is 16:9. Accompanying its high definition, EIZO has developed new techniques which enable FORIS monitors to present a picture which is gentle on the viewer’s eyes.
By applying Pythagoras’ Theorem (3:4:5) to its sound technology, EIZO has succeeded in developing a highly effective and superb quality in both the bass and treble ranges.  
It has vivid vermilion Bengal color on its side which is traditionally considered a noble color, making a definite mark of Japanese manufacture.
It is the further evolution of a new information terminal fusing the television and computer.

■Design Director
Kazuo Kawasaki
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