Mononofu is an old term for a samurai warrior. It is also a brand name created by a man who loves history. The Mononofu brand expresses the uninhibited and innovative spirit of the Sengoku period or the Warring State period.
Hideki Tanaka, the creator of the brand, boldly joins two seemingly contrary elements: the promotion of modern art and the reproduction of traditional craftwork. Mr. Tanaka, who first saw a collection of unusual kabuto helmets for warriors at the National Museum, was struck by their appearance and this sparked the idea of incorporating their design into a new indie T-shirt business.
Since each of Monofuku’s T-shirts is an expression of the unique creativity and aesthetic sense of its artist, Mr. Tanaka sees parallels in the creation process of both his T-shirts and the kabuto helmets. He believes that, if the samurai warriors were alive today, they would embrace modern designs and materials in their expressions of beauty.
Kazuo Kawasaki was born in 1949, Fukui Prefecture. He is a design director and doctor of medical science. After graduating from Kanazawa College of Arts, he started working at Toshiba where he worked on developing and branding Audio Aurex, a revolutionary new audio system at that time. In 1979, he went freelance and two years later he moved his business base to his home town, Fukui. Since then, he has worked on a wide range of product designs including knives, LCD TVs, eyeglasses and artificial hearts. He has made significant advances in all of these fields.
He was the jury chair for the Japan Good Design Award from 2001 to 2003. He is currently a professor at Communication Design Center and Frontier Research Center at Graduate School of Engineering Osaka University. He is also a professor of Medical Center for Translational Research at Osaka University Hospital.
Mr. Kazuo believes that the designer is a professional that imbues idealism into a physical object. He incorporates many varied fields including mathematics, science, technology and art and builds reality hardheadedly and precisely.
Design is a dream. Here is at least one design director in Japan who earnestly believes that the power of design can change the world.
Masunaga Optical Mfg Co., Ltd is the oldest eyeglass maker in Japan and located in Fukui City, Fukui Prefecture, one of the three biggest eyeglass frame producing districts in the world.
Masunaga Eyeglass was designed by Kazuo Kawasaki who was born and raised locally. The eyewear was awarded Silmo d’Or at the Silmo Eyeglass trade show held at Paris in 2000.
Without using screws and by applying lightweight and flexible beta titanium in its frame, Masunaga eyeglass has achieved a high level of comfort for the wearer. By attaching the lenses to the frames at only one point, it is designed so that the vision is not distorted when the arms are flexed at the temple points. The lenses and the pupils are always equidistant.
Masunaga eyeglass, born from a concept of “smart and high technology”, achieved functionality and nobleness realized by the combination of the Kazuo Kawasaki’s industrial design and Matsunaga’s superb techniques.
Carna was named after the Roman goddess who had power over entrances and exits and was considered a guardian angel of daily life.
Carna folding wheelchair, which was completed after eights years of prototyping, has a jaunty and stylish design giving it a feeling more like the newest pair of sneakers. With light weight titanium being utilized for the frame, the Carna can be folded down into a compact size. It is designed to be finely adjustable to fit different needs and body sizes. Above all, a user will be comfortable using the chair for extended periods of time. It can be said that this wheelchair becomes the legs of the user.
Carna folding wheelchair is the permanent collection of Museum of Modern Art (MoMA).
The Carna will become like a trusted guardian and it plays an important role to support the user’s everyday life, just as the word means.
・H86 x W61 x D90 cm
・9.5kg (seat 3kg)
EIZO LCD TV, which has become popular with its simple yet finely refined design and high quality, launched their new line of color LCD HDTV, under the brand name of FORIS.
FORIS HD can be used as both a television and computer monitor. It has a high resolution of more than 720 lines with an aspect ratio is 16:9. Accompanying its high definition, EIZO has developed new techniques which enable FORIS monitors to present a picture which is gentle on the viewer’s eyes.
By applying Pythagoras’ Theorem (3:4:5) to its sound technology, EIZO has succeeded in developing a highly effective and superb quality in both the bass and treble ranges.
It has vivid vermilion Bengal color on its side which is traditionally considered a noble color, making a definite mark of Japanese manufacture.
It is the further evolution of a new information terminal fusing the television and computer.
Toshiro Uchida is a silver craftsman from Tokyo and was born in 1925 in Daito-ku, Tokyo.
Silver is highly valued because of its beautiful surface and other unique qualities. Now, 90% of silverware in Japan is produced in Tokyo.
Tokyo silverware is tasteful and bright and is made using techniques developed in the Edo period, such as hammering and fine engraving. One technique is known as 'kiribame': a design is cut out of the silver and another metal, like copper, is soldered into the space.
Toshiro learned hammering from his father, Uzaburo, in 1946, and kiribame from Tomoe Ogawa. Toshiro is particularly good at kiribame.
In 1984, Toshiro was designated as a Tokyo Silverware Traditional Craftsman by the Ministry of International Trade and Industry. In 1988, he was also designated as a Tokyo Traditional Craftsman. In the same year, he was awarded a prize and designated as a Tokyo Excellent Artist.
Isui-en is a garden in Nara City. It is separated into two parts: the former garden and the later garden, and the age of each garden is different according to when they were established.
The former garden is derived from a sub-house built by a Nara tradesman, Kiyosumi Michikiyo, in the Enpo period (1673~1681).
The later garden was built by a tradesman, Kanto Jiro, in Meiji 32. The garden has beautiful borrowed scenery such as Mt Wakakusa, Mt Kasuga and the big roof of nearby Todaiji Temple.
Sanshu-tei, a pavilion in the former garden, was built by the Zen monk Mokuan. It remains to this day, and you can have meals and tea there. Nara Art Museum annex has preserved ceramics and paintings from Japan, China and Korea.
This park is very rare because you can enjoy at the same time two parks that are different in age and taste.
Hiroshi Tajima was born in 1922. In 1999, he was designated as a Living National Treasure in yuzen dyeing.
Just after he graduated from junior-high school, Tajima studied under Shoko Takamura and Ryuji Takamura, then he learned the yuzen technique on his own. When he was 32 years old, he became independent and sent works to many exhibitions, such as the Japan Traditional Handicrafts Exhibition. In a study group, he learned from a Living National Treasure, Nakamura Katsuma, and improved his techniques.
His technique is based on traditional yuzen dyeing and the various techniques he studied. Finally he invented his original 'sekidashi-yuzen'. This features raised patterns of sekidashi-yuzen, which are richly and beautifully colored by techniques such as direct rice-glue painting. The themes of his designs are mainly based on natural things, such as wild birds, cranes, eagles, gulls and wild flowers. His artistic works stir your poetic imagination.