Suseri Oota is an entertainer born in the Kanagawa Prefecture. Her stage name, also Suseri Oota, is written only in katakana characters, instead of the kanji characters of  her real name. The name, Suseri, came from Princess Suseri, a legendary figure who appeared in the book Kojiki (680 A.D.). The Suseri of legend was known to have been driven to pursue whatever she wanted.
Suseri Oota left university before completing her course to become an actor and she began to study acting at Gekidan En Kenkyuujo. After finishing her studies there, she formed a comic duo. When her partner got married and left the duo, she became a solo performer, often accompanying herself on guitar. She loved to perform on stage but she is also highly regarded as a film and TV actor, scenario writer and essayist. Her most successful book is Dekai Onna (Large Woman).
Suseri is 176cm tall and her shoe size is 26cm.  This stands out from other Japanese women whose average height is 159cm. Her stature adds uniqueness to her image and it gives her a sharp eye for details in everyday life which many people overlook. She strives to free herself and others from social and aesthetic stereotypes.
Suseri Oota is a performer and an artist who is a person of action and who is not afraid to reveal herself to the public.  She is a modern version of the Princess Suseri written about in ancient times.  Her uniqueness and courage have set the course for great success in the future.

Akihisa Kominato is a Shakuhachi player and the third successor to the head of Japanese folk music Kominato Style. He was born in 1978 in Fukushima and is the eldest son of the head family of the Kominato Style. His father is Mitsuru Kominato, a folk singer, and his elder sister is Miwa Kominato, also a singer. He started learning to sing age 5 with his father and soon began playing regularly on stage. In his teens, he studied the traditional shakuhachi playing style called Kinko and, in 1995, began studying under the late National Living Treasure, Goro Yamaguchi.  Age 20, he became the third Kominato preserving the Traditional Folk Kominato Style.  After graduating from Tokyo University of Fine Arts and Music majoring in Shakuhachi, he began performing not only Japanese traditional music but also international music such as fusion and bossa nova.
In 2004, he formed a band called ZAN featuring Japanese traditional instruments and made his debut on the mainstream music scene. With the techniques he learned through his association with folk singing and shakuhachi performance, he is pursuing new avenues of expression for shakuhachi players. Also through his involvement with other bands such as AEKA, Priest and Hannya Teikoku he is further expanding his scope and activities. He also plays overseas regularly.

Nihon Buyo (Japanese dance) is a general term for traditional Japanese dance but which now includes Kabuki dancing, Kamigata dancing, new dancing, and so on.
  
People dance to songs or music, and the origin of Nihon Buyo is Kabuki dancing by Okuni in Izumo, a founder of Kabuki in the Edo period.
  
Kabuki dancing is performed as an independent play or during Kabuki drama. It is otherwise called Shosagoto and performed on a special stage. On the other hand, Kamikata dancing is mainly performed in a Japanese-style room, and it developed in the Kansai area of Japan.
  
New dancing began in the Taisho period. People can dance freely to music, such as schmaltzy Japanese ballads, folk songs and popular songs.
  
Nihon Buyo is not only a traditional art but it has taken in modern music flexibly and continues to develope even today.now.

The Flower-Hat Festival (Hanagasa Matsuri), which takes place in Yamagata Prefecture, is known as one of the four largest events to take place in the Tohoku area. The festival takes place annually in August.

The cry of the dancers in the parade, 'Yassho! Makkasho!', and the spirited beat of the hanagasa-daiko drums can be heard during the festival. It is one of Yamagata prefecture's symbolic summer events and draws over a million visitors.

For a week from August 5th, dancers wear hanagasa hats with artificial safflowers on them (the safflower being Yamagata's prefectural flower), and dance along the main streets (for about 1.2km) of Yamagata city.

The Hanagasa Ondo song, which is sung as 'sorota sorotayo' etc., derives from the 'dotsuki' song, which was sung in the Meiji and Taisho periods in the Murayama area. The basic style of dance is 'typical Japanese dance', however, nowadays the advent of dances for men has changed the form of the 'buyo'. Moreover, elements from Westerns dance forms are added, and the new dance forms are slightly different. For Japanese who love festivals, it is an event that they should definitely join.