NIPPON Kichi - 日本吉

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2008/4/22


もののふ(MONONOFU) mononofu Mononofu

Jp En

Mononofu is an old term for a samurai warrior. It is also a brand name created by a man who loves history.  The Mononofu brand expresses the uninhibited and innovative spirit of  the Sengoku period or the Warring State period.
Hideki Tanaka, the creator of the brand, boldly joins two seemingly contrary elements: the promotion of modern art and the reproduction of traditional craftwork. Mr. Tanaka, who first saw a collection of unusual kabuto helmets for warriors at the National Museum, was struck by their appearance and this sparked the idea of incorporating their design into a new indie T-shirt business.
Since each of Monofuku’s T-shirts is an expression of the unique creativity and aesthetic sense of its artist, Mr. Tanaka sees parallels in the creation process of both his T-shirts and the kabuto helmets.  He believes that, if the samurai warriors were alive today, they would embrace modern designs and materials in their expressions of beauty.
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2008/2/22


千草色(チグサイロ) Chigusa-iro Chigusa Color

Jp En

Chigusa is a greenish light blue color extracted from the small blue petals of spiderwort flowers that bloom in the summer.
Spiderwort is called “tsuyukusa” in Japanese. Tsuyukusa is also known as “tsukikusa” and chigusa is said to derive from the word, tsukikusa.
Spiderwort is a prairie wildflower that grows in fields and by the roadside in summer. The flowers open in the morning, closing again in the afternoon. It is a delicate flower that brings a beautiful touch to the Japanese summer. The color extracted from the flower is very delicate and is easily washed away with water. It is used to draw a rough sketch for Yuuzen style dyeing.  
Kimonos which were provided by merchants in Kyoto for their apprentices were lightly dyed with indigo plants and had a pale blue color. After a while the color of the kimono would start to fade so it was dyed again.  The color arising from repeated dying of the fabric became known as chigusa color, perhaps because when the indigo plant is used lightly as a dye, it is a light green in color that is similar to the blue of fabric dyed with spiderwort.
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2008/1/22


群青色(グンジョウイロ) Gunjou-iro Gunjyou Color

Jp En

Gunjyou means literally “gathering of blues” and is based on the name of a paint from China. Gunjyou color, unlike blue or navy blue, contains purplish hints. It is a deep blue and also called konjyou, or Prussian blue.
The best natural gunjyou color was said to be the one that was made from a mineral called ruri, or lapis lazuli, and was very rare to find at that time. Azurite powder from indigo minerals was also used to produce the color.
Gunjyou color was regarded as a necessity to create the vibrant blue color in Japanese painting and was used often in pictures on luxurious room partitions during Momoyama Period. This deep color was also applied lavishly to such items as folding screens and fabrics.
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2007/12/25


EIZO FORIS.HD Eizou Forisu.eichidi EIZO FORIS. HD

Jp En

EIZO LCD TV, which has become popular with its simple yet finely refined design and high quality, launched their new line of color LCD HDTV, under the brand name of FORIS.
FORIS HD can be used as both a television and computer monitor. It has a high resolution of more than 720 lines with an aspect ratio is 16:9. Accompanying its high definition, EIZO has developed new techniques which enable FORIS monitors to present a picture which is gentle on the viewer’s eyes.
By applying Pythagoras’ Theorem (3:4:5) to its sound technology, EIZO has succeeded in developing a highly effective and superb quality in both the bass and treble ranges.  
It has vivid vermilion Bengal color on its side which is traditionally considered a noble color, making a definite mark of Japanese manufacture.
It is the further evolution of a new information terminal fusing the television and computer.

■Design Director
Kazuo Kawasaki
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CARNA Kaana Carna Folding WheelChair

Jp En

Carna was named after the Roman goddess who had power over entrances and exits and was considered a guardian angel of daily life.
Carna folding wheelchair, which was completed after eights years of prototyping, has a jaunty and stylish design giving it a feeling more like the newest pair of sneakers. With light weight titanium being utilized for the frame, the Carna can be folded down into a compact size. It is designed to be finely adjustable to fit different needs and body sizes. Above all, a user will be comfortable using the chair for extended periods of time. It can be said that this wheelchair becomes the legs of the user.
Carna folding wheelchair is the permanent collection of Museum of Modern Art (MoMA).
The Carna will become like a trusted guardian and it plays an important role to support the user’s everyday life, just as the word means.    
■Carna
・H86 x W61 x D90 cm
・9.5kg (seat 3kg)
■Design Director
Kazuo Kawasaki
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増永眼鏡 Kazuo Kawasaki Ph.Dのアイウェア Masunaga-megane Kazuo Kawasaki Ph.D-no-Aiuea Masunaga Eyeglass by Kazuo Kawasaki Ph.D

Jp En

Masunaga Optical Mfg Co., Ltd is the oldest eyeglass maker in Japan and located in Fukui City, Fukui Prefecture, one of the three biggest eyeglass frame producing districts in the world.
Masunaga Eyeglass was designed by Kazuo Kawasaki who was born and raised locally. The eyewear was awarded Silmo d’Or at the Silmo Eyeglass trade show held at Paris in 2000.
Without using screws and by applying lightweight and flexible beta titanium in its frame, Masunaga eyeglass has achieved a high level of comfort for the wearer. By attaching the lenses to the frames at only one point, it is designed so that the vision is not distorted when the arms are flexed at the temple points. The lenses and the pupils are always equidistant.
Masunaga eyeglass, born from a concept of “smart and high technology”, achieved functionality and nobleness realized by the combination of  the Kazuo Kawasaki’s industrial design and Matsunaga’s superb techniques.
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人工心臓 Jinkou-shinzou Artificial Heart

Jp En

“If I have to accept an artificial heart into my body, I would like it to be painless and look cool”, said the designer, Kazuo Kawasaki, who sought functional progress and an aesthetic sense for an artificial heart even it resides inside the body and is invisible from the outside.  
It was the technology of the stereolithography system that made his vision become real. Stereolithography allows for the creation of three-dimensional (3-D) objects, in this case using resin, from CAD data.  Even complicated shapes like those that can be seen in Trompe-l'œil, or trick art, can be turned accurately into a real object.
Fusion is one of key words to describe the tendency of recent high-end technology developments. By fusing ideas and technologies from different fields, it becomes possible to break though the walls of limitation. Artificial hearts are seen as a new technology, an alternative to heart transplants, and their development is being advanced from areas beyond the medical field in a way that has not seen before. It is an exciting development that attracts lots of anticipation for the future.      

■Design Director / M.D.
Kazuo Kawasaki
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「タケフナイフビレッジ」キッチンナイフArtus Takefunaifubirejji Kicchin-naifu-Arutasu ARTUS Kitchen Knife by Takefu Knife Village

Jp En

Takefu Knife Village is a brand created in 1982 by local curter artisans in Takefu, the biggest cutlery producing district that proudly maintains over seven hundred years of history.
  In 1983 with the collaboration of Kazuo Kawasaki, a design director who was born and raised locally, Takefu launched its new series of kitchen knives, ARTUS.
While using the traditional method to create the blade part and by utilizing a unique design to unify from the tip of the blade to the handle, it achieved a simple yet innovative, hygienic and highly aesthetic product.  
ATRUS is made by “fire casting”, a traditional craftsman’s striking technique, which uses a three-layer structure with steel forged by hand that is inserted between stainless steel. It is this technique that enables the knife to be sharp and resistant to rust.    
ATRUS was born from a great trinity: the seven policies based on the Takefu’s commitment to create wonderful hand-made products; its traditional cutlery making method; and outstanding  design by Kazuo Kawasaki. Its excellence is evident as even more than 20 years after its initial introduction it is still sold without any modifications.
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