NIPPON Kichi - 日本吉

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2007/4/3


ちんこんかん Chin-kon-kan Chin-kon-kan Dance

Jp En

Chin-kon-kan is a dedication dance performed annually on 16 August at Ushi Shrine (Osuga Shrine) in Shinkura-cho.

A large masked demon in a red costume with a small hama-bow, and a smaller demon with a 6 shaku-sized staff (approx. 6ft long), dance to the rhythm of bass and snare taiko drums and bells.

It is said that this Ushi Shrine was built in the Tenmon era (1532〜1555) to enshrine dead cows. Later the dance also became a prayer for rain and to repel insects.

Chin-kon-kan is also known as 'Chikkon-kan', and sometimes written in Chinese characters with the phonetic equivalent letters of bamboo ('chiku'), root ('kon')and stem ('kan'). Probably these various ways of writing chin-kon-kan derive from the sounds made by the musical instruments.

Chin-kon-kan was designated as an intangible folklore cultural asset of the prefecture in 1959 (Showa 34).
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2007/1/25


吉備津神社 鳴釜神事 Kibitsujinja Narukamishinji Kibitsu Shrine Narukami Ritual

Jp En

Kamadono Hall is part of Kibitsu Shrine in Okayama and is designated as an important national cultural asset.

Kamadono Hall is also popular for a peculiar fortune-telling ritual involving a 'kami' (a large metal cauldron) standing on a 'kamado' (a cooking range with a place for fire underneath). In the hall, people seeking to know their fortune, place offerings such as sacred sake in front of the cauldron and pray to the oracle. The fire below keeps the cauldron hot. If the cauldron produces a loud sound, it represents 'good fortune'; if it stays silent or creates a soft sound, it means 'misfortune'.

There is a legend that the head of the ogre Ura (the origin of the Oni demon) is buried under the kamado. Akinari Ueda in the 'Ugetsu' relates the story that, one night, Prince Kibitsuhiko (the model for Momotaro, the legendary Peach Boy) dreamt of Ura's spirit, which tells the prince to have his wife Azome light the fire beneath the cauldron. The spirit says that a 'rich' sound from the cauldron will bring good fortune, while a 'wild' sound will bring misfortune.

From this legend, we can clearly see how Kibitsuhiko's dream became part of the fortune-telling narukami ritual we see today at the shrine.
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