Hon’ami Koetsu was a calligrapher and artist in the early Edo period. He was also well known as the leading tea master of the time.
Hon’ami Koetsu was born into a family of swordsmiths who created and sharpened swords in Kyoto. He showed talent in a wide range of fields including calligraphy, pottery, lacquer, publishing, architecture and landscape design.
He especially excelled in calligraphy and, along with Konoe Nobutada and Shokodo Shojo, he came to be known as one of the Three Brushes of the Kan’ei Era (Kan’ei no Sanpitsu) . He founded his own personal style known as Koetsu-ryu, developed from the Japanese calligraphy style.
Hon’ami is also credited with founding the Rimpa School in the field of painting, together with Tawaraya Sotasu and Ogata Korin. His works include Rakuyaki Kamigawa-chawan ceramic teacups and Funabashi Makie Suzuribako lacquer work- both of which are designated as National Treasures, and Tsurushitae-wakakan painting, designated as an Important Cultural Asset.
In 1615, Hon’ami began an artist community called Koetsu-mura or Koetsu village in Takagamine, north of Kyoto, in the land granted by Tokugawa Ieyasu. He developed his own artistic style further and was also believed to have supervised all the work there.

    Monzen-machi is a town that was established around the prominent temples and shrines as stores and business developed to serve visitors to the temples and the shrines.
A town that is developed around a shrine is called aTorii-mae-machi (a town in front of torii) and a town established by religious followers is called Jinai-cho or Shake-machi, all of which are widely categorized as Monzen-machi.
Some  noted Monzen-machi are: Narita City, Chiba Prefecture, - developed around the Shinshou-ji Temple,  Nikko City, Tochigi Prefecture - developed around theTosho-gu Shrine,  Futarasan Shrine and Rinnou-ji Temple, Ise City, Mie Prefecture - developed around the Ise Shrine,  Izumo City, Shimane Prefecture -  developed around the Izumo Taisha Shrine, located in Kotohira-cho  and Nakatado-gun, Kagawa Prefecture - developed around the Kotohira-gu Shrine.
Monzen-machi is sometimes defined as a religious city.  It embodies the urban culture (chounin bunka) born and developed during the Edo Period when society was relatively peaceful and people’s lives were influenced by and served by temples and shrines.

Kuroishi Yosare Festival is the biggest event held in Kuroishi City, Aomori Prefecture. It is held on August 15 and 16 every year and counted as one of Three Nagashi-style Dances (dance parades) in Japan.

About 3,000 dancers called “Tokomanpo,” the workers of the local shopping area, wear straw hats and yukata with pictures of sparrow and dance around the city with distinctive call of “E-chaho, E-chaho.” The concept of the dance is to drive away sparrows by swinging the rice ears, from which the present design of the yukata was contrived.

The dances are mainly composed of Nagashi-odori (dance parade), Mawari-odori (a circle dance) and Kumi-odori (a pair dance). The dance parade sometimes stops and takes the form of a circle dance, where spectators invited to join and dancers perform more enthusiastically.

Kuroishi Yosare originates in the pair dance performed by male and female dancers to represent love call about 600 years ago. Later in the Tenmei era (1781-1788) in the Edo period, the chief retainer of the domain, Sakai Gyoemon, encouraged this dance to gain the popularity of the townspeople. Since then it has been handed down in this city.