Yuutaro Oono was born in Tokyo in 1935. He is currently the CEO of Ohno Seimitsu Kogyo Co. Ltd.
After graduating from Hokunoujima Technology High School, Mr. Oono was employed by an 8mm film company. In 1978, he started Ohno Seimitsu Kogyo Co. Ltd which specializes in making gears. He also dedicated himself to bringing back Karakuri dolls , which were popular in the Edo period, to modern times, using the advanced techniques of modern gear making.
Mr. Oono first learned about Karakuri in an engineering book and he became passionately interested in them. He had acquired a copy of “Karakuri-zui”, an illustrated compendium of mechanical devices written by Hanzou Hosokawa, a legendary karakuri artisan of the Edo period. Mr. Oono began studying the book intensely and, for the last 20 years, he has been reproducing the Karakuri dolls most loved by people in the Edo period such as “tea serving doll”, “shinan guruma” and the “Karakuri clock”.
Each doll is made using about 80 different parts, not counting its face and clothing. The dolls are created in such a way as to preserve traditional methods as much as possible. The fusion of the Edo period and modern times shows both beauty and functionality.
Mr. Oono’s next project is to bring back “Yumihari Warawa, or “ Boy Archer”, which shows a boy shooting an arrow at a target. His tremendous respect for the Karakuri artists of the Edo period motivates him to try to recreate the Karakuri Dolls most beloved in that period, so that people can remember and appreciate their heritage.
Mikami Shrine is at the foot of Mt. Mikamiyama in Yasu City, Shiga Prefecture. The enshrined deity is Amenomikage no Kami, the god of Mt. Mikamiyama. Historic buildings including the Romon gate, Honden (the main hall) and Haiden (the oratory) stand quietly in the deep forest. Honden is designated as a National Treasure for its unique architectural style called “Mikami-zukuri,” which is the combination of the architectural styles used for a shrine, a temple and a nobleman’s residence.
Zuiki Festival is held at this shrine on the 2nd Monday of October every year. The word “zuiki” means the stem of a taro potato. Every year five Mikoshi (portable shrine), which are made of zuiki and decorated with vegetables and persimmon leaves, are dedicated to the shrine to express gratitude for the year’s crop. It has been held for over 400 years and was designated as an Intangible Folk Cultural Property by the national government in 2005.
Takefu Knife Village is a brand created in 1982 by local curter artisans in Takefu, the biggest cutlery producing district that proudly maintains over seven hundred years of history.
In 1983 with the collaboration of Kazuo Kawasaki, a design director who was born and raised locally, Takefu launched its new series of kitchen knives, ARTUS.
While using the traditional method to create the blade part and by utilizing a unique design to unify from the tip of the blade to the handle, it achieved a simple yet innovative, hygienic and highly aesthetic product.
ATRUS is made by “fire casting”, a traditional craftsman’s striking technique, which uses a three-layer structure with steel forged by hand that is inserted between stainless steel. It is this technique that enables the knife to be sharp and resistant to rust.
ATRUS was born from a great trinity: the seven policies based on the Takefu’s commitment to create wonderful hand-made products; its traditional cutlery making method; and outstanding design by Kazuo Kawasaki. Its excellence is evident as even more than 20 years after its initial introduction it is still sold without any modifications.
“If I have to accept an artificial heart into my body, I would like it to be painless and look cool”, said the designer, Kazuo Kawasaki, who sought functional progress and an aesthetic sense for an artificial heart even it resides inside the body and is invisible from the outside.
It was the technology of the stereolithography system that made his vision become real. Stereolithography allows for the creation of three-dimensional (3-D) objects, in this case using resin, from CAD data. Even complicated shapes like those that can be seen in Trompe-l'œil, or trick art, can be turned accurately into a real object.
Fusion is one of key words to describe the tendency of recent high-end technology developments. By fusing ideas and technologies from different fields, it becomes possible to break though the walls of limitation. Artificial hearts are seen as a new technology, an alternative to heart transplants, and their development is being advanced from areas beyond the medical field in a way that has not seen before. It is an exciting development that attracts lots of anticipation for the future.
EIZO LCD TV, which has become popular with its simple yet finely refined design and high quality, launched their new line of color LCD HDTV, under the brand name of FORIS.
FORIS HD can be used as both a television and computer monitor. It has a high resolution of more than 720 lines with an aspect ratio is 16:9. Accompanying its high definition, EIZO has developed new techniques which enable FORIS monitors to present a picture which is gentle on the viewer’s eyes.
By applying Pythagoras’ Theorem (3:4:5) to its sound technology, EIZO has succeeded in developing a highly effective and superb quality in both the bass and treble ranges.
It has vivid vermilion Bengal color on its side which is traditionally considered a noble color, making a definite mark of Japanese manufacture.
It is the further evolution of a new information terminal fusing the television and computer.
Kikugetsutei is a tea house is an aristocratic tea house located in Ritsurin Park, which is famous for its exquisite stroll-type garden. The construction of this garden started in 1625 by the lord of the Takamatsu domain, Ikoma Takatoshi, and was completed in 1745 after 100 years of improvements and extensions made by five successive domain lords of the Matsudaira family. The park was designated a prefectural park and opened to the public in 1875.
The lord of the Matsudaira family loved this grand Kikugetsutei Tea House.
With the greenery of Mt. Shiun as a backdrop, its elegant shape looks in good harmony with the pond. The tea house is in Shoin-zukuri style (the style of warrior residences) and elaborately designed so that you can fully appreciate the beauty of the pond and the surrounding landscape beyond the water.
On the second Sunday every month, you can join the tea ceremony “Tsuki-gama” here at Kikugetsutei Tea House.
Gyoki was a Japanese Buddhism priest of Nara period. He was a charismatic monk of the ancient Japanese Buddhism. He was called by the honorific title of Gyoki Bosatsu (Bodhisattva Gyoki).
Gyoki was born in Kawachi province (present-day Osaka Prefecture) in 668. He studied Buddhism under the priest Dosho of hokoji Temple in Asuka, and took Buddhist vows at the age of 15. He also studied civil engineering under Dosho. Advocating hat Buddhism should be independent of the regal power, he propagated Buddhism for salvation of the suffering people. He also contributed to social welfare like building temples, roads, bridges, irrigation reservoirs. The Imperia court was afraid of his overwhelming influence on common people and clamped down on his activities blaming that he had violated the law to regulate priests and nuns.
However, when Emperor Shomu asked Gyoki to help raise funds to build Daibutsu (a great Buddha statue) in Nara, Gyoki accepted the emperor’s request, and immediately began fund-raising campaigns. He was recognized by the Imperia court and was given a rank of Daisojo (the Great Priest). At the age of 80, he had passed away at Sugawaradera Temple in Nara in 749 just before the consecrating ceremony for the statue took place.
The legends about Gyoki Bosatsu are referred to in many books such as “the Nihon Ryoiki,” “the Honcho Hokke Kenki” and “the Nihon Ojo Gokurakuki.” It is said that he might have drawn the oldest Japanese map, “Gyoki-zu.”
Ryukyu pottery is a traditional handicraft handed down in the Tsuboya district in Naha City, Okinawa Prefecture. Pottery techniques were introduced to Ryukyu through the trade with Southeast Asian countries during the 15th century.
Later in the early 17th century, potters from Korea and China were invited to teach their techniques to the local potters, who gradually combined them with the techniques used in the Satsuma domain, the ruler of Ryukyu at that time, and developed their original pottery ware. In the late 17th century, King Shotei of the Ryukyu Dynasty concentrated all the workshops build around his country in the Tsuboya district. Since then the Tsuboya district has been the center of Ryukyu pottery up to the present time.
Using locally produced clay and glazers, it is characterized by generous-hearted and bright impression that is typical to the south land. Pottery produced at these kilns is classified largely into two groups; Ara-yachi and Jo-yachi. Ara-yachi potteries are not glazed and large in size, while Jo-yachi includes those finely-glazed and having painted designs.